MELANIE CHARLES at Dizzy’s Club (June 18-22, 11:15 p.m.). Charles, a vocalist, flutist and multi-instrumentalist, takes a prismatic view of black music, turning the past into the future and letting the sounds of the Caribbean beam into her versions of classic American jazz standards. At this late-night show, she will celebrate the legacy of Abbey Lincoln — a landmark vocalist and composer who died in 2010 — with help from the thrilling pianist Marc Cary, who played in Lincoln’s band for many years; the bassist Jonathan Michel; and the drummer Diego Ramirez.
GERALD CLEAVER at Nublu 151 (June 16, 9 p.m.). A drummer of marvelous versatility and coolly considered power, Cleaver exhibits a love for thrashing, arrhythmic clatter, but it is matched by his ability to pump quiet energy into a simmering swing beat. He’s a first-call drummer for musicians across the jazz world, but when he performs as a leader, remarkable things tend to happen. He appears at Nublu 151 in an intriguing, atypical quartet featuring three fellow virtuosos: the cellist Tomeka Reid, the violist Mat Maneri and the electronic musician and multidisciplinary artist Daniel Givens.
SYLVIE COURVOISIER at Happylucky No. 1 (June 14-15, 8 p.m.). The music that Courvoisier, a pianist, plays with the violinist Mark Feldman seems to articulate its own set of standards and intentions: Play with the utmost clarity, but never compromise depth of tone and feeling. Express yourself with a dead-set seriousness, but flee from certainty. Keep a conversation going at all times between the ache of nostalgia and the nervous excitement of anticipation. To hear this private ideology in action, pick up a copy of the duo’s newly released disc, “Time Gone Out,” then go hear them at Happylucky on Saturday. On Friday, Courvoisier performs with a different duet partner: the restlessly iconoclastic guitarist Mary Halvorson.
THEO CROKER at Jazz Standard (June 13-16, 7:30 and 9:30 p.m.). Last month, Croker logged a vital contribution to the growing body of nouveau jazz fusion (think Robert Glasper, Christian Scott aTunde Adjuah, Sarah Elizabeth Charles) when he released “Star People Nation,” an album that gallivants from swirling, left-field hip-hop beats to propellant swing to entrancing passages of African percussion. Through it all, Croker’s understated trumpet playing holds his small band together with swagger and poise. Here he celebrates the album’s release with Mike King on piano, Eric Wheeler on bass and Michael Ode on drums.
THE MARTIN FAMILY at the Blue Note (June 13-16, 8 and 10:30 p.m.). The alto saxophonist, keyboardist and producer Terrace Martin has been writing and producing for pop and hip-hop acts in Los Angeles since the early 2000s; all the while, he has moonlighted as a jazz saxophonist. With the meteoric rise of Kendrick Lamar, one of his closest collaborators, Martin managed to become a household name among music fans without sacrificing either side of his artistry. This weekend he brings a bit of personal history to bear, playing in a trio with his father — the R&B drummer Ernest Martin, known as Curly — and the organist Larry Goldings.
MELVIS SANTA AND KARLEA LYNNÉ at the Cell Theater (June 15, 8 p.m.). A Havana-born singer with a bright and cloudless articulation, Santa connects Afro-Caribbean tradition with an easygoing, contemporary pop sound. Now a New Yorker, she is among the most promising rising talents in her adopted hometown. She will perform at the Cell with a small ensemble, and will be preceded by Lynné, a vocalist with a commitment to jazz’s soul-inflected tradition. Lynné will appear in a quintet featuring Christopher McBride on saxophone, Jonathan Thomas on piano, Noah Jackson on bass and Darrian Douglas on drums.